What is worse than waiting for your own results? Waiting for your child's, particularly when it is the second child. My legs are like jelly. My nerves shot. With my eldest, I had the naivete of assuming he would make it. Then I had friends whose very bright children had to go through clearing (best thing that could have happened and they are thriving btw) and in the back of my mind I worried about my daughter. Had she done enough? I barely slept for days. We took long walks discussing why she would have made the grade. Thinking logically. One never thinks logically.
Early this morning she went on UCAS (before the official opening time of 8 am) and discovered her offer with her first choice university had changed to UNCONDITIONAL. She had made the grades. The scream echoed through the house.
She then waited to go down to get her grades. She got -- A*, A, B, B
Let the celebrations begin! She is going to university and I am so happy for her. There will be CAKE!!!
Two down. One to go in two years time.
Warm, Witty and Intimate Historical Romance.
The blog of a Harlequin Mills and Boon Historical Romance Author based in the North East of England -- her ups, downs and in betweens as she juggles life with her fiction.
Showing posts with label A level. Show all posts
Showing posts with label A level. Show all posts
Thursday, August 18, 2011
Saturday, March 17, 2007
Is Jane Austen a women only writer?
Give the nice comments in the previous post, I am going to keep on writing my blog as I see fit -- typos et al.
I ask the above question because I had interesting conversation with my eldest's English teacher.She showed me a list of the books that they could choose from to study in depth at AS level. On the list were Waterland by G Swift (the teacher admitted it was *challenging* -- code for boring? non linear? confused plot line?), The Colour Purple (these are the two texts that the school uses), Tess' D'ubervilles, Great Expectations and Pride and Prejudice. As P&P is one of my favourite novels, I said -- oh why not-- P&P, the teacher looked vaguely uncomfortable and said she disliked like doing it if there were a lot of boys in the class. I stared at her in astonishment. When did JA become for women only? She is a classical writer who helped make the modern novel what it is today. P&P is far more than simply a good romance to curl up with. It is just as worthy as Waterland to be studied. Has its success as a romance blinded people to its other qualities? When I did Emma at school, the emphasis was on the characterization and social satire, rather than on the story. I don't think the boys complained. Why should a novel with a good and easily accessible plot be ignored in favoured of something that may or may not stand the test of time.
Unfortunately, I did not get to say any of this, because a would be A level student came in and loudly announced she hoped there was no poetry on the course, she couldn't see the point. I resisted the temptation to make a snide remark to the girl, and felt sorry for the teacher. It must be hard.
I am currently reading Waterland. It was with no small irony that I saw the opening quote was from Great Expectations... Swift is a lyrical writer whose prose is replete with symbolism. I am hopeful of finding the plot soon.
I ask the above question because I had interesting conversation with my eldest's English teacher.She showed me a list of the books that they could choose from to study in depth at AS level. On the list were Waterland by G Swift (the teacher admitted it was *challenging* -- code for boring? non linear? confused plot line?), The Colour Purple (these are the two texts that the school uses), Tess' D'ubervilles, Great Expectations and Pride and Prejudice. As P&P is one of my favourite novels, I said -- oh why not-- P&P, the teacher looked vaguely uncomfortable and said she disliked like doing it if there were a lot of boys in the class. I stared at her in astonishment. When did JA become for women only? She is a classical writer who helped make the modern novel what it is today. P&P is far more than simply a good romance to curl up with. It is just as worthy as Waterland to be studied. Has its success as a romance blinded people to its other qualities? When I did Emma at school, the emphasis was on the characterization and social satire, rather than on the story. I don't think the boys complained. Why should a novel with a good and easily accessible plot be ignored in favoured of something that may or may not stand the test of time.
Unfortunately, I did not get to say any of this, because a would be A level student came in and loudly announced she hoped there was no poetry on the course, she couldn't see the point. I resisted the temptation to make a snide remark to the girl, and felt sorry for the teacher. It must be hard.
I am currently reading Waterland. It was with no small irony that I saw the opening quote was from Great Expectations... Swift is a lyrical writer whose prose is replete with symbolism. I am hopeful of finding the plot soon.
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