My sister went and saw my brother's Aids quilt. Finally they told her where it was displayed. She was able to see the finer detail of my brother's quilt. We had both only see photos that my cousin took before, so were unaware of the finer detail. (or perhaps I had forgotten)
For example, I didn't know that my sister and I were mentioned in the cloud next to the rainbow. Or that his partner's name is stitched on the flag at the top of the sailboat. Or that the tree had *Uncle Eric* stitched on it. He was close to his partner's niece and nephew, but he was also very proud of being a proper uncle to my son. He died before I became pregant with my daughter or indeed before my sister married, but he would have adored all his nieces and nephews.
It is the finer detail that makes the quilt. My brother would not have necessarily approved of the fabric choice but he would have approved of the sentiment and in the end, the sentiment is the most important thing.
The same is true for writing. It is the little details that bring a story to life. It helps to create the awe moment. Or the little bit that you remember. Or the bit that brings a character to life.
My editor had given me her thoughts on my latest Viking. Some work needs to be done, but I needed her eye to see it. She is right in her assessment and it goes straight to the finer detail.
Now comes the hard part -- the writing of the full. But I need to remember the detail makes it.
Warm, Witty and Intimate Historical Romance.
The blog of a Harlequin Mills and Boon Historical Romance Author based in the North East of England -- her ups, downs and in betweens as she juggles life with her fiction.
Showing posts with label details. Show all posts
Showing posts with label details. Show all posts
Tuesday, July 24, 2012
Saturday, September 25, 2010
It's in the detail
One of the big questions for a writer is how much detail and which detail do you highlight? What is the function of detail?
Detail gives a description and provides facts but more than that it gives insight into the POV's state of mind.
Two characters looking at the same thing will notice different details. A character whose mood has changed will notice different details. Details help to ring the changes.
Where one character notices the flaking bits of paint and the worn carpet, another sees the soaring majesty of the building. The reasons why each character notices those things is important.
If you take a description in a book, and describe that scene from another's POV, what details change? If no details change, why? It can be a clue that you need make sure that your characters are given stronger opinions. Use detail to bring out changes, to highlight and to help make your characters memorable.
Take the colour brown -- is it warm melting chocolate or the colour of a muddy puddle. Should beige be banned or is it a fashionable choice? The fact that a character chooses to call light brown camel rather than taupe says something about that character. If the character is only choosing that word because you as a writer have access to a thesaurus, then you are in trouble and your scene doesn't have as much life as it could have.
It is the character's reaction to the colour and its associations that are important rather than the actual colour.
I would argue that if the characters reactions and emotions are missing, the scene is going to feel a bit flat.
Word description and detail is all about choice. What does the character choose to see and why? Why do they feel passionately enough to use those words? How does the word choice influence them? Objects and scenery are neutral until the person describing them or labelling them breathes life into them.
Detail gives a description and provides facts but more than that it gives insight into the POV's state of mind.
Two characters looking at the same thing will notice different details. A character whose mood has changed will notice different details. Details help to ring the changes.
Where one character notices the flaking bits of paint and the worn carpet, another sees the soaring majesty of the building. The reasons why each character notices those things is important.
If you take a description in a book, and describe that scene from another's POV, what details change? If no details change, why? It can be a clue that you need make sure that your characters are given stronger opinions. Use detail to bring out changes, to highlight and to help make your characters memorable.
Take the colour brown -- is it warm melting chocolate or the colour of a muddy puddle. Should beige be banned or is it a fashionable choice? The fact that a character chooses to call light brown camel rather than taupe says something about that character. If the character is only choosing that word because you as a writer have access to a thesaurus, then you are in trouble and your scene doesn't have as much life as it could have.
It is the character's reaction to the colour and its associations that are important rather than the actual colour.
I would argue that if the characters reactions and emotions are missing, the scene is going to feel a bit flat.
Word description and detail is all about choice. What does the character choose to see and why? Why do they feel passionately enough to use those words? How does the word choice influence them? Objects and scenery are neutral until the person describing them or labelling them breathes life into them.
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